pheobe riley law pheobe riley law

  • NEWS
  • ARTIST STATEMENT __________________________
  • new work
  • oh o salinity
  • stood framed ordinary
  • communicut
  • salt - salt-pan
  • salinity in fall
  • cove
  • herd
  • fodder
  • mado
  • the crystal detector
  • faulty borders
  • a layer of liquid water
  • un-transmitted-data
  • illusions of connectivity
  • fabricity
  • tape-snare-reeds
  • tourist
  • stairs
  • interference of objects
  • scores
  • pontoon
  • anchor space
  • e4 139
  • score for nissai theatre
  • allerdale 16mm
  • green dress
  • it's a matter of scale
  • forest manifesto
  • veer
  • ravenspurn
  • dial
  • desire lines
  • faxfleet
  • mvh
  • 5-short-films-from-topolo
  • moments
  • object
  • further sound
  • published work __________________________
  • The Reticule Project
  • blog
  • cv
  • contact
  • NEWS
  • ARTIST STATEMENT __________________________
  • new work
  • oh o salinity
  • stood framed ordinary
  • communicut
  • salt - salt-pan
  • salinity in fall
  • cove
  • herd
  • fodder
  • mado
  • the crystal detector
  • faulty borders
  • a layer of liquid water
  • un-transmitted-data
  • illusions of connectivity
  • fabricity
  • tape-snare-reeds
  • tourist
  • stairs
  • interference of objects
  • scores
  • pontoon
  • anchor space
  • e4 139
  • score for nissai theatre
  • allerdale 16mm
  • green dress
  • it's a matter of scale
  • forest manifesto
  • veer
  • ravenspurn
  • dial
  • desire lines
  • faxfleet
  • mvh
  • 5-short-films-from-topolo
  • moments
  • object
  • further sound
  • published work __________________________
  • The Reticule Project
  • blog
  • cv
  • contact


'score for nissai theatre'

graphic score


'score for nissai theatre' - graphic score using elements of the architectural plans for the nissai theatre, Tokyo, Japan. The score was interpreted as part of the 'veer' installation / book and for a digital release, by; Catherine Kontz (piano), Embla Quickbeam (tape), Phillip Thomas (piano), Manja Ristic (violin, objects) and Jez riley French (field recordings, objects)






































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