pheobe riley law pheobe riley law

  • NEWS
  • ARTIST STATEMENT __________________________
  • vegetal empathy
  • lichen canvas
  • brush
  • vast slender boundaries
  • Cam bi um flora
  • The Sound of Food
  • dep can gre sou chorus of contact
  • sour bay
  • ringtones project
  • soft maps
  • moss listening
  • machine equities
  • bell auto 2
  • magnified ear exhibition
  • tape snare wood glen
  • oh o salinity
  • oh o salinity scores
  • salinity in fall
  • stood framed ordinary
  • communicut
  • salt - salt-pan
  • cove
  • herd
  • fodder
  • mado
  • the crystal detector
  • faulty borders
  • a layer of liquid water
  • un-transmitted-data
  • illusions of connectivity
  • fabricity
  • for apartment and found objects
  • tape-snare-reeds
  • tourist
  • stairs
  • interference of objects
  • scores
  • pontoon
  • anchor space
  • e4 139
  • score for nissai theatre
  • allerdale 16mm
  • green dress
  • it's a matter of scale
  • forest manifesto
  • veer
  • ravenspurn
  • dial
  • desire lines
  • 5-short-films-from-topolo
  • earlier works
  • further sound
  • publications
  • --------------------
  • murmuration
  • The Reticule Project
  • blog
  • cv
  • contact
  • object
  • moments
  • mvh
  • faxfleet
  • NEWS
  • ARTIST STATEMENT __________________________
  • vegetal empathy
  • lichen canvas
  • brush
  • vast slender boundaries
  • Cam bi um flora
  • The Sound of Food
  • dep can gre sou chorus of contact
  • sour bay
  • ringtones project
  • soft maps
  • moss listening
  • machine equities
  • bell auto 2
  • magnified ear exhibition
  • tape snare wood glen
  • oh o salinity
  • oh o salinity scores
  • salinity in fall
  • stood framed ordinary
  • communicut
  • salt - salt-pan
  • cove
  • herd
  • fodder
  • mado
  • the crystal detector
  • faulty borders
  • a layer of liquid water
  • un-transmitted-data
  • illusions of connectivity
  • fabricity
  • for apartment and found objects
  • tape-snare-reeds
  • tourist
  • stairs
  • interference of objects
  • scores
  • pontoon
  • anchor space
  • e4 139
  • score for nissai theatre
  • allerdale 16mm
  • green dress
  • it's a matter of scale
  • forest manifesto
  • veer
  • ravenspurn
  • dial
  • desire lines
  • 5-short-films-from-topolo
  • earlier works
    • object
    • moments
    • mvh
    • faxfleet
  • further sound
  • publications
  • --------------------
  • murmuration
  • The Reticule Project
  • blog
  • cv
  • contact


Herd

current research focussed on the division held between “us” (humans) and other species, looking into the culture we have towards cattle, dairy agriculture and urban wildlife. I am interested in the two different types of symbiotic relationships including mutualism and commensalism.

HERD is now showing at Newcastle Uni as my degree show, delayed from 2020 (a 3d walk through is available here)

4 channel sound + constructed objects, soil and smell

sound piece features field recordings, cello, generative virtual synthesiser & spoken texts*

*with thanks to Jenny Berger Myhre & Eliza Bozek for reading the texts










'Grid’  (2020)

100 x 150 cm, Steel.


‘Grid / version’ (2020)

wood, steel


'score' (2020)

ink, paper

'Ewer (soaks in)' from the 'herd' series included in the online exhibition 'Refracted Commentary' at Shipley Gallery, Gateshead. 

The piece explores themes of regulation, normalisation, and separation within barriers between humans and animals with a focus on the farming industry of cattle. I was interested in the process of making with clay, and how the 'unfinished' state can shape our perception of an object











































herd (extracts)_1.mp3

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